Die Kinders en die Water-oksel (short)
An experiment in translocation and translation, this short is part of the process of an ongoing project exploring a genre of speculative folktales and storytelling between South Africa and the Netherlands
An experiment in translocation and translation, this short is part of the process of an ongoing project exploring a genre of speculative folktales and storytelling between South Africa and the Netherlands
2025
One and Three Eland
Site-specific intervention on the Elandsgracht in Amsterdam, May 2025.
Site-specific intervention on the Elandsgracht in Amsterdam, May 2025.
2025
But it is called Riversong
But it is called Riversong is a feature-length documentary, which serves as an alternative edit of my 2023 series of short films, that which the wind intends (see below).
It is now publically available to watch in full on vimeo.
But it is called Riversong is a feature-length documentary, which serves as an alternative edit of my 2023 series of short films, that which the wind intends (see below).
It is now publically available to watch in full on vimeo.
2024
that which the wind intends
A series of video essays exploring events from the filmmaker’s childhood on a holiday farm in the Bokkeveld mountains in South Africa- a place which, for many, is ahistorical. The investigation is informed by fragments history from a different landscape, |xam-ka !au, which is brought to life by an archive of stories told by |xam people who were living there in the 1860’s.
“ 'How to belong in this place that is so full of contradictions’ is the quest that brought Dennis Buckland back to the farm Riversong in the Bokkeveld, South Africa, where he grew up, and to |xam-ka !au, the land where the |xam San people lived, to create a new body of work consisting of a series of videos titled that which the wind intends. Through performative actions in the landscape, interviews with people that work and live there and sharing fragments of (his)stories of the |xam people, Buckland connects past, present, and future, creating echoes between events across different times and places. As the camera actively moves through the beautiful landscapes, the reflective voiceover reveals layers of the violent colonial past and its impact on the present, like strata in the rocks and sediment of the mountains and ‘koppies’ captured. History repeats itself. The violence that the |xam suffered at the hands of the Dutch and British colonizers echoes in the abuse of power and precarious lives of the Noorman family. Much remains unresolved, as past and present injustices and inequalities that the videos bring to the surface to digest, are hard to grasp, hard to put into words and hard to change. In fact they remain indigestible. Yet, Buckland’s body of work does offer a glimmer of hope, as the videos also create echoes of resistance and compassion. Moral actions, even when few and far between, and shared values also repeat themselves, and may inspire present and future generations. “
Text by Judith Westerveld.
A series of video essays exploring events from the filmmaker’s childhood on a holiday farm in the Bokkeveld mountains in South Africa- a place which, for many, is ahistorical. The investigation is informed by fragments history from a different landscape, |xam-ka !au, which is brought to life by an archive of stories told by |xam people who were living there in the 1860’s.
“ 'How to belong in this place that is so full of contradictions’ is the quest that brought Dennis Buckland back to the farm Riversong in the Bokkeveld, South Africa, where he grew up, and to |xam-ka !au, the land where the |xam San people lived, to create a new body of work consisting of a series of videos titled that which the wind intends. Through performative actions in the landscape, interviews with people that work and live there and sharing fragments of (his)stories of the |xam people, Buckland connects past, present, and future, creating echoes between events across different times and places. As the camera actively moves through the beautiful landscapes, the reflective voiceover reveals layers of the violent colonial past and its impact on the present, like strata in the rocks and sediment of the mountains and ‘koppies’ captured. History repeats itself. The violence that the |xam suffered at the hands of the Dutch and British colonizers echoes in the abuse of power and precarious lives of the Noorman family. Much remains unresolved, as past and present injustices and inequalities that the videos bring to the surface to digest, are hard to grasp, hard to put into words and hard to change. In fact they remain indigestible. Yet, Buckland’s body of work does offer a glimmer of hope, as the videos also create echoes of resistance and compassion. Moral actions, even when few and far between, and shared values also repeat themselves, and may inspire present and future generations. “
Text by Judith Westerveld.
2023
binding and sedimentation
Various publications related to rock art in Southern Africa, sealed in Perspex and wrapped in transparent vinyl prints. The prints are from satellite images of the landscapes researched in the texts.
Available for acquisition. Email to enquire.
1) South African Archeological Bulletin, June 1951
Image overlay: Albany District
24 x 18 x 1 cm
2) Art of Africa, 1958. Cover Art by Walter Battiss
Image overlay: Eastern Cape
23 x 15 x 3cm
3) South African Archeological Bulletin, March 1951
Image overlay: Free State
24 x 18 x 1 cm
4) South African Archeological Bulletin, June 1980
Image overlay: |xam-ka !au
24 x 18 x 1 cm
Sold
5) Major Rock Paintings of Southern Africa, R Townley Johnson, 1979
Image overlay: Kouebokkeveld
33 x 34 x 2.5cm
6) Believing and Seeing: Symbolic Meanings in Southern San Rock Paintings, Dr David Lewis-Williams, 1981
Image overlay: Wartrail
22 x 31 x 2.5 cm
7) South Africa's Past in Stone and Paint, M. C. Burkitt, 1928
Image overlay: |xam-ka !au
22 x 15 x 1 cm
Various publications related to rock art in Southern Africa, sealed in Perspex and wrapped in transparent vinyl prints. The prints are from satellite images of the landscapes researched in the texts.
Available for acquisition. Email to enquire.
1) South African Archeological Bulletin, June 1951
Image overlay: Albany District
24 x 18 x 1 cm
2) Art of Africa, 1958. Cover Art by Walter Battiss
Image overlay: Eastern Cape
23 x 15 x 3cm
3) South African Archeological Bulletin, March 1951
Image overlay: Free State
24 x 18 x 1 cm
4) South African Archeological Bulletin, June 1980
Image overlay: |xam-ka !au
24 x 18 x 1 cm
Sold
5) Major Rock Paintings of Southern Africa, R Townley Johnson, 1979
Image overlay: Kouebokkeveld
33 x 34 x 2.5cm
6) Believing and Seeing: Symbolic Meanings in Southern San Rock Paintings, Dr David Lewis-Williams, 1981
Image overlay: Wartrail
22 x 31 x 2.5 cm
7) South Africa's Past in Stone and Paint, M. C. Burkitt, 1928
Image overlay: |xam-ka !au
22 x 15 x 1 cm
July 2023
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